Alvin Ailey - traduzione in francese
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Alvin Ailey - traduzione in francese

AFRICAN - AMERICAN DANCER, CHOREOGRAPHER AND ACTIVIST
Alvin Ailey, Jr.; Alvin Jr. Ailey; Ailey, Alvin Jr.; Alvin Ailey Jr.; Alvin Alley; Alvin Ailey American Dance Center; Ailey School
  • ''Revelations'' performed by Alvin Ailey American Dance Theatre in 2011
  • Alvin Ailey and [[Carmen de Lavallade]] (1954)

Alvin Ailey         
Alvin Ailey (1931-1989), African-American dancer and choreographer, founder of the Alvin Ailey American Dance Theater
Ailey      
Ailey, family name; Alvin Ailey (1931-1989), African American dancer, founder of the Alvin Ailey American Dance Theater

Definizione

Revering
·p.pr. & ·vb.n. of Revere.

Wikipedia

Alvin Ailey

Alvin Ailey Jr. (January 5, 1931 – December 1, 1989) was an American dancer, director, choreographer, and activist who founded the Alvin Ailey American Dance Theater (AAADT). He created AAADT and its affiliated Alvin Ailey American Dance Center (later Ailey School) as havens for nurturing Black artists and expressing the universality of the African-American experience through dance.

A gay man, his work fused theater, modern dance, ballet, and jazz with Black vernacular, creating hope-fueled choreography that continues to spread global awareness of Black life in America. Ailey's choreographic masterpiece Revelations is recognized as one of the most popular and most performed ballets in the world.

On July 15, 2008, the United States Congress passed a resolution designating AAADT a "vital American cultural ambassador to the World." That same year, in recognition of AAADT's 50th anniversary, then Mayor Michael Bloomberg declared December 4 "Alvin Ailey Day" in New York City, while then-Governor David Paterson honored the organization on behalf of New York State.

Esempi dal corpus di testo per Alvin Ailey
1. La compagnie créée en 1'58 par l‘Américain Alvin Ailey brille ŕ New York et ailleurs dix–huit ans apr';s la disparition de son fondateur.
2. Quand il meurt en 1'8', ŕ 58 ans, Alvin Ailey est déjŕ une légende, qui a su magnifier la culture afro–américaine.
3. Le free–jazz naissant trouve en lui une sorte d‘éminence grise, et les duos qu‘il structure de sa frappe janséniste avec Anthony Braxton, Archie Shepp ou Cecil Taylor clouent le bec ŕ ceux qui subodoraient naďvement l‘homme du passé. Mais la démocratie vraie est jusqu‘au–boutiste, et Max Roach occupe avec panache les territoires hors jazz de la danse (collaborations répétées avec Alvin Ailey), de la littérature (Toni Morrisson a eu le bon go$';t de ne pas esquiver les dialogues scéniques qu‘il lui a proposés) et le devenir d‘une musique en roue libre oů il a voulu voir dans la scansion du hip–hop un bourgeonnement, certainement pas ultime, du be–bop.